Production, cinelifter, cinewhoop, and the rigs behind the reel.
Equipment deep-dives, build logs, and agency-side project notes from the production side of the studio.
Production posts come from the cinema side of the studio: cinelifter and cinewhoop builds, RED and Blackmagic camera pairings, day-rate breakdowns, and how OSDT slots into agency sets as the FPV unit. Producers will find the scoping and rate logic; pilots will find the build logs. If you are pricing FPV for a commercial, music video, or brand piece, start with the production day-rate breakdown.
How OSDT Works With Agencies: The Collaborative-Set Model
How OSDT works with agencies on production shoots, live feed for creative review, on-set direction, same-day OCN handoff, and the collaborative workflow that makes the shoot editable in real-time.
What a Production-Day FPV Shoot Actually Costs
Transparent day-rate breakdown for production FPV, $1,750 native base, $2,800 cinelifter + Blackmagic G2, $4,200 cinelifter + RED Komodo. What each tier includes and what the add-ons look like.
Production FPV for Music Videos, Commercials, and Brand Content
Production FPV, cinema-rig drone work for music videos, commercials, and brand content. What we shot for East Coast Marble, and the partner résumé behind OSDT's production capability.